Whether I matter or not doesn’t win or lose

I am a foggy morning, clouded and tired.  Like the faded purple comb I’ve had for the last ten years, the Universe has caught itself in the tangles of my hair again and I know not how to get it out.  So we struggle with one another, pulling in opposite directions, relenting.

I am a cigarette, smoked nearly half-way, but discarded before I blackened a lung or mutated a cell.  In my dreams, I am part of this world.  My arms are stretched out so long before me that I can reach you.  Yes, my ears are blocked with built up clouds and ash, and a volcano stands between us, but I can still feel you pulling at the strings inside my chest.  We share the same troubled hopes at this altitude, the same blinking sky.  Once, I wrote a poem on my lips so that you couldn’t see it, because I wanted you to taste how it felt.   How foolish I was; I should have known that your lips would never reach mine again.  I made so many promises over the years that I’ll come find you — that I will get to you , in the past, when we were younger — that I worry I might spend the rest of my life in transit, searching for a dimension that no longer exists.

I am a heart.  I am a waterfall of love and fear, a blackbird swooping above me.  You said you hated the way that everything felt like a war, with me forging my way across the battlefield alone, and I shot a silent prayer to the shadowy ceiling that one day, you might understand.

What kind of lightning strikes the exact same wounded site on the heart’s surface twice, three times, maybe even more — the space that has grown layers of knotted, hardened scar tissue in a wall of self-protection around it in an attempt to thwart further poison arrows from piercing it again?

I was never taught to keep things at a distance, so when I see a spark, a flame, a silver moon glowing silently in a midnight sky, I am always trying to wrap both of my arms around it or swallow it whole.  I am always falling in love with strangers who have a story to tell or look like they might need one or daydreaming about running away completely and giving up.  I would throw out my back if it meant carrying someone else’s troubles, and it isn’t because I’m an eternal optimist.  I want the best for everyone I’ve ever met and cry over broken dreams and bruised hearts that aren’t my own.  He once told me it was probably an excuse to submerge myself underwater so as not to confront my own failures, and you know, he was probably right, but I don’t know how to stop wanting to make you smile.

I was taught to love completely and with everything I’ve got, to bear the troubles of the people whose names I hold close in my heart, and even of those that I don’t.  I do not know any better.  I only know that you were worth my aching back, and I was not worth it to yours.  It’s a preoccupation, or perhaps a long-standing romance with the Universe, the need to feel a give-and-take.  It’s what I felt I was put here to do:  to love completely and wholly.  To always fall for underdogs and flickering stars on the brink of burning out, because there’s something beautiful in their glow.  There is always something infinitely beautiful and telling in their glow.

Posted in Writing | Tagged |

Untitled

Here, where nothing is worth anything,
I’ve set up a grass-thatched hut.
After eating,
I just stretch out for a nap.

As soon as it was built,
weeds were already growing back.
Now I’ve been here awhile
it’s covered in vines.

So the one in this hut just lives on,
unstuck,
not inside, out, in between.

The places where usual folk live,
I don’t.
What they want,
I don’t.

This tiny hut holds the total world,
an old man and
the radiance of forms and their nature,
all in ten feet square.

Bodhisattvas of the Vast Path
know about this but
the mediocre and marginal wonder,
“Isn’t such a place too fragile to live in?”

Fragile or not,
the true master dwells here
where there is no
south or north, east or west.

Just sitting here,
it can’t be surpassed:
below the green pines
a lit window.

Palaces and towers
of jade and vermilion
can’t compare.

Just sitting,
my head covered,
all things rest.

So this mountain monk
has no understanding at all,
just lives on
without struggling to get loose.

Not going to
set out seats
and wait for guests.

Turning the light
to shine within,
turn it around again.

Vast,
unthinkable,
you can’t face it
or turn away from it.

The root of it.

Meet the Awakened Ancestors,
become intimate with the teachings,
lash grass into thatch for a hut
and don’t tire so easily.

Let it go,
release,
and your life of a hundred years
vanishes.

Open your hands.

Walk around.

Innocence.

The swarm of words,
and little stories
are just to loosen you
from where you are stuck.

If you want to know
the one in the hermitage
who never dies,
you can’t avoid this skin-bag
right here.

- Shitou Xiqian


Posted in Poetry | Tagged |

The streets are for people

I recently visited the botanical gardens in Copenhagen on a seemingly rare sunny spring day.  It was breathtaking with its greens, yellows, browns and purples this time of year, a little otherworldly, and brimming with sweet smelling flowers.  More photos here.  Click the images for larger view.

Posted in Denmark, Photography | Tagged , , , |

The lesser souls

We are surrounded by too many ghosts.

In the fields the ghosts of flowers drying and dead. Grasses withered and trampled underfoot. In the forests, the specters of aged oaks, beeches and elms converge and whisper with one another. The rutted paths they pace, freed in the afterlife to roam hill and dale alike. They speak to their seedlings. They tell them softly of the winters to come and the hoarfrost that will turn sap to crystal and brown their resplendent leaves. They carry stories, each to each.

They step through one another with ephemeral chill. There is no space for the living among the dead, for the ages of the earth have yielded a fruitful crop of decedents beyond all count and reckoning. A vine laps its cousin; the grasses layer, one atop another, their blurred outline like a mat of infinite density. They could stray to less crowded places, places where no living thing grew, the high desert plain like a lonesome fugue where the burning afterimages of deceased cacti wander and sorrow their outcast state, but they prefer the places they nestled and grew and died.

We know them. We saw them planted when they were young. These are the ghosts of mountain and forest, snarled amongst each other and atop each other like the canny twists of rusted barb wire, hopelessly melded into one. Some of us worship them, the ancestral spirits of the world that was young. But most of us don’t see them at all.

They are the sentinels of the world’s becoming, all the living things that we forget have lived and died, and there are too many. But the world is not full as the sea is not full, and we cannot forget them. They grew in the ways that we walk. The avenues of arching branches. The coves and hollows. After our souls depart this shelter for the outer darkness the ghosts of all that has grown will dwell yet in the secret places, in the ever-beating heart of the world.

Posted in Writing | Tagged |

Hægt, kemur ljósið

Ólafur Arnalds / Hægt, kemur ljósið (Slowly, comes the light) from Esteban Diácono on Vimeo.

Posted in Art, Music, Video | Tagged , , , |

Dreamlife

Last night I dreamt that I walked into a grocery store in California late at night in the summertime.  I was eight or nine months pregnant, swollen and full, dressed in loose linen pants, a long tunic and a light turquoise blue jersey shirt, ruched along the sides in a haphazard attempt to distract others from the burgeoning size of my stomach, in the way that maternity clothing tries to cover up a growing life like an obvious secret.

I grabbed a shopping cart and pushed it forward, feeling its wobbly front wheel spin sideways, resisting my force.  My hair was piled loosely and pinned on top of my head and I was tired, exhausted, really, but that was besides the point.  I maneuvered my way through the produce section, wrapping my fingers around slightly bruised grapefruit, which I don’t even like, and did a double take as I looked up to see you standing across the aisle staring down at something green, as though deep in thought.  Maybe you’d forgotten what it was you were there for.

You turned in my direction just as I’d fixed my eyes on you, resigned myself to the fact that you were standing in front of me after nearly seven years, still you, but an older version of you with tired eyes and lighter hair.  I suddenly felt embarrassed by my disheveled appearance and state of mind.  When you run into an ex after a long period of time, you want them to walk away with a mental imprint of what they lost when they ran out, of what they’ve been missing all this time.  But as usual, I was hardly feeling memorable.

“Hi!  Wow.  How are you?  How long has it been?  You look great!.  And congratulations on the baby.  Wow.”

“Hi.  Thanks.  It’s great to see you.  Do you live around here?”

“No, I live up in the bay area now.  Wow, so you’re married now, too.  That’s wonderful.  Good for you.”

“Yeah, thank you.  Are you?”

“Oh, yeah, I am, but no one you’d know.  Actually, we’re having a barbeque tomorrow in the park.”

“Oh, that’s nice.  It’s supposed to rain tomorrow.”

Forced and awkward is how the conversation transpired.  We exchanged pleasantries until one of us or neither of us could stand it anymore and then parted ways, continuing on with our shopping.  Only as I pushed my rickety cart along the aisle, I could see you at the opposite end of the store moving in a parallel direction until we met again near the wine.

“I need to grab a bottle of white and red.  Can you help me?”  I could barely bend low enough in that state.

“You know, I think about you still.  I just thought about you the other day, actually.  Really, I still think about you all the time.”

My gaze stood frozen upon your face, in disbelief.  My stomach felt as though it dropped to my knees.  I grabbed the bottles out of your hand and walked away, shaken, confused, angry, hurt, but turned around anyway and looked in your direction.

“You know what?  You’re this fucking thing that swallows me.  You cant just come up to me after a hundred years, married, and tell me that you think about me.  You can’t do that.”

“Why not?”

“Do you still love your wife?”

“Of course, and you love your husband.  But this is different.  Because it’s us.  We’re J and _.  We always will be.  Nothing’s going to change that.  Might as well accept it.  You know it’s true.”

Furious and trembling, I grabbed my cart and forcefully pushed it ahead of me.  I walked away along the aisle opposite to the registers and saw you get in line with your basket.  Sweating, I turned the cart back to get a glimpse of the front of the store and you were gone.  The automatic doors were open, revealing the dark summer night.  I pushed the cart away from me and ran toward the registers.  I panicked when I didn’t find you there.  I ran through the doors and into the night.

Posted in Dream, Writing | Tagged |

“Tradition is a guide, not a jailer…”


These musicians are amazing.  Among the three of them, they play the five-string fiddle, the four-string fiddle, the five-string banjo, the four-string banjo, the jug, auto-harp, human beat-box, the kazoo, the guitar, the harmonica, the snare drum, the bones, quills and more.

About the Carolina Chocolate Drops:

“Tradition is a guide, not a jailer. We play in an older tradition but we are modern musicians.”

—Justin Robinson

In the summer and fall of 2005, three young black musicians, Dom Flemons, Rhiannon Giddens, and Justin Robinson, made the commitment to travel to Mebane, N.C., every Thursday night to sit in the home of old-time fiddler Joe Thompson for a musical jam session. Joe was in his 80’s, a black fiddler with a short bowing style that he inherited from generations of family musicians. He had learned to play a wide ranging set of tunes sitting on the back porch with other players after a day of field work. Now he was passing those same lessons on to a new generation… (more)

They also do an amazing cover of Hit ‘em Up Style by Blu Cantrell.

Posted in Music, Obsessed | Tagged , |

Sculpture heaven

Tucked away in the northern outskirts of Copenhagen, and right on the ocean, is the Louisiana Museum of Modern Art. It takes a scenic train ride along the coast and past hundreds of beautiful Danish mansions to get there, in addition to a ten-minute walk from the station, but it is well worth the hike. The museum houses works from the likes of Rauschenberg and Lichtenstein, Hockney, Matisse, Miro and Picasso, but it was the sculpture gardens surrounding the modern architecture, hovering above the Øresund sea, that captured my attention the other day.  There is a perfect balance of art, sculpture and nature there, and on a warm, sunny afternoon, it is a perfect milieu to escape to for a little while.

There’s some more pics here.

Posted in Art, Denmark | Tagged , , |